The 32nd
annual Hawaii International Film Festival was an interesting experience for
me. This was the first film festival I
have ever attended, and I had the unique opportunity of playing reporter for
any part of the event I wanted. I had an
official press pass that granted access to any and all of the films as well as
press events and seminars. Due to a
constricted schedule I was not able to watch as many movies as I would have
liked, however, I did see two great films and attended two Creative Lab
seminars.
The first movie I watched was Starlet (2012), a New American
Filmmakers movie by Sean Baker starring Dree Hemingway. This movie depicted an inside view of the
life of an adult film actress who befriends an elderly woman, and
cinematographer Radium Cheung was there for post-screening Q&A with the
audience. The movie contains some
graphic sexual content that dampens potential for distribution, and Cheung
mentioned story degradation as the reason for not cutting the scenes. Personally, I disagree because I believe it’s
possible that these parts could be re-done in a way that would not degrade the
story and would allow for greater distribution opportunities.
The second movie was Fresh Meat (2012) from New Zealand
Director Danny Mulheron. This
comedy/horror tells a story about a group of criminals who find themselves
inside the house of a family of cannibals.
Danny Mulheron attended the screening and handed out autographed movie
posters after the show. I happened to
receive the last available poster that day.
I did not find the Creative Lab seminars to be as
entertaining as the films, but there was plenty of good information going
around. Speakers at the Digital Media
Technologies Summit talked about cross-continent collaboration on cinematic
projects, amazing advancements in screen resolution and virtual reality among
other things, and panelists at the New Media Academy put out there some key
advice: “Be really good at what you do.”
Overall I enjoyed the HIFF experience and look forward to
being more involved next year. I don’t
know if I’ll have any of my own work to submit, but maybe eventually.
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